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David Dastmalchian & Ashley Greene’s New Horror ‘The Cure’ Finds a Home at Vertical, Releasing 2026

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Vertical has snapped up U.S. rights to the chilling sci-fi horror thriller The Cure, set to hit select theaters and VOD in 2026.

The film follows Ally Braun (Samantha Cochran, V/H/S/Halloween), a 16-year-old adoptee plagued by a mysterious illness. When she discovers her wealthy biotech parents (David Dastmalchian, Late Night with the Devil, and Ashley Greene, Twilight) are harvesting her blood for their own dark experiments, she realizes her life—and body—are anything but her own.

Directed by Nancy Leopardi from a script by Jonathan Bernstein and James Greer (Unsane), The Cure also stars Sydney Taylor (American Born Chinese), Tyler Lawrence Gray (Wolfpack), and Dylan Flashner (The Card Counter).

Leopardi, who produces alongside Bo Youngblood, John Ierardi, and Natalie Marciano, describes the film as “a satirical take on the modern billionaire class cloaked in a crowd-pleasing thriller.” She adds, “The Cure follows in the footsteps of Ex Machina, A.I., and Videodrome, exploring how advances in bio-technology can be twisted for power—and who ultimately pays the price.”

Represented internationally by Vaneast Pictures at the American Film Market, The Cure promises a brutal fusion of sci-fi, horror, and societal terror—a story where blood is currency and betrayal runs deep.

Prepare for a world where your own family might be your deadliest enemy.

Born in December, the darkest and coldest month of the year, Francesco Monti developed a passion for all things horror from an early age. A lifelong horror aficionado, his love for films, books, and the darker side of storytelling eventually led him into filmmaking, with a focus on horror, thriller, and sci-fi. In May 2022, Francesco turned that lifelong passion into GoreCulture — a platform created not only to bring horror fans closer to the films, stories, and culture they love, but to give a voice and valuable exposure to talented filmmakers, creators, and artists whose work deserves to be discovered, regardless of how established they are.

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