Ben Fordesman’s cinematography (known for “Saint Maud”) shines as the standout feature in “The Origin,” complemented by the picturesque Scottish Highlands that provide a striking yet harsh Stone Age backdrop. The nighttime scenes envelop the audience in an inky abyss, with only the feeble glow of campfire flames to ward off the looming dangers. The landscapes are both breathtaking and unforgiving, with even the fog-laden forests adding character to the setting. Paul Davies’ sound design, featuring eerie clicks, growls, and screeches echoing through vast spaces, enhances the sense of impending threat.

While the film excels in its visual and auditory aspects, it falls short in generating tension. Human conflicts take precedence, and the sporadic encounters with the unseen antagonist often lack the chilling intensity needed to raise the stakes. Director Jalmari Helander wisely keeps the mysterious creature hidden for as long as possible, maintaining intrigue along a path marked by a few gruesome deaths. However, as the story unravels, “The Origin” transitions from a Stone Age thriller to a somber and didactic commentary on humanity, often explored through the clan’s hierarchy.

Despite its visually stunning craftsmanship, “The Origin” ultimately struggles to uphold its high-concept premise, potentially leaving some viewers feeling unsatisfied. The film defies conventional narrative expectations, and Safia Oakley-Green’s spirited performance keeps the audience engaged. While this unconventional approach may divide opinions, director Jalmari Helander establishes himself as a filmmaker worth watching, thanks to his bold take on an ambitiously challenging production.