In writer/director JT Mollner’s “Strange Darling,” our female protagonist boldly challenges societal norms, raising questions about gender roles and the boundaries of consent. The film transcends typical genre expectations, offering a thought-provoking entry into the cat and mouse thriller genre.

The story introduces us to “The Lady” (Willa Fitzgerald, known for “Scream: The TV Series”), who, in an intense slow-motion sequence during the opening credits, finds herself pursued by “The Demon” (Kyle Gallner, from “Smile”). What unfolds is a relentless thrill ride that essentially serves as an extended chase scene, promising an engaging viewing experience.

Despite its gripping opening, “Strange Darling” defies expectations. It delves into complex themes and takes unexpected narrative twists, setting it apart from typical genre fare. However, discussing these twists in detail risks spoilers, as they occur early and frequently in the film.

Structured in six non-linear chapters, “Strange Darling” skillfully utilizes its narrative format, delivering jaw-dropping moments of realization and ensuring an entertaining initial viewing. Mollner, known for “Outlaws and Angels,” demonstrates a keen eye for visuals, emphasizing stark sunlight in most scenes. The film’s use of reds against the backdrop of daytime sequences and striking red and blue lighting during nighttime scenes creates a visually striking contrast.

The decision to shoot the film on 35mm film is commendable in an era dominated by digital photography, though presenting the narrative as a dramatization of “real” events feels unnecessary and contrasts with the gritty authenticity of films like “The Texas Chain Saw Massacre.”

The casting in “Strange Darling” is a standout feature. Fitzgerald delivers a powerful performance, showcasing her versatility beyond her role in “Scream: The TV Series.” Gallner, emerging as a contemporary “Scream King,” handles his character’s complexity adeptly. Supporting roles, including Barbara Hershey and Ed Begley Jr. as an elderly couple, add depth to the film.

However, “Strange Darling” faces challenges in maintaining its creative momentum. After revealing its cards just past the one-hour mark, the film struggles to sustain its initial intrigue. What starts as an intricately plotted, Tarantino-esque narrative descends into an extended resolution that lacks depth and fails to fully address the complex questions raised earlier in the film. The conclusion, while predictable, feels disappointingly straightforward compared to the subversive elements that precede it.

In the end, “Strange Darling” ventures into ambitious territory with its thematic questions but falls short of fully exploring them. Despite its shortcomings, the film’s gripping first two acts leave a lasting impact, and it deserves credit for attempting to tackle thought-provoking subjects within the confines of a grim thriller.